创作人把自己当救世主实例自从the big short尝到奥斯卡的甜头Adam Mckay就走上了成魔之路但别忘那可有Michael Lewis的原著打底这部比vice还焦虑攒了一堆大咖现在简约电视背景墙也不好看只能感概现在除了怀念step brothers、anchorman那时的纯真以外还要为他和Will Ferrell的友谊哀悼
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3.5. Didn't quite get the overwhelming hate this film got. The satire here is not particularly intelligent nor incisive, but that seems fitting when reality is more mundanely grotesque than fiction: it's almost like the real world does not deserve to be treated in a more aesthetically profound manner. The sense of helpless anger and disbelief at the state of the world is quite genuine, and there are emotional moments that work quite well. It's a typically white and star-studded mainstream film, and that's okay.